Werdegang / Ausbildung: 
Daniel Craig mines the depths of the audio spectrum. Tangling a web across time, his low drones and high crackles are caught somewhere between stasis and anti-stasis. He is interested in feedback, tape manipulation, no input mixing, memory, audio vérité, non-linearity, decay, greyness, field recording, Max patching, improvisation, thinking about thinking and cats. In recent times, he has focused largely on developing ways to improvise in a live setting. By time you read this short ramble, dear reader, he may have found a new set of ideas that quicken his heart, rendering this list an awkward reminder of his former curiosities.